Shot during breakfast on the grounds of Umaid Bhawan Palace in Jodhpur in the Indian state of Rajasthan.
Flying over the state of Kerala in southern India, the visitor is struck by what seems to be an endless panoply of palm fronds blanketing the land. This dense spread of the coconut tree has come to represent Kerala’s topographic signature. It serves as our motif in the sequence of photographs below. Here in the groves, the implements and the rhythm of everyday Keralan life are disclosed. The monsoon rains lend to the scene their deep water-soaked colours.
In the realm of Portraiture, two lenses in the Canon line-up – EF 85mm f/1.2 L II and EF 135mm f/2 L – have attained occult status for their superlative optical performance and for the creative possibilities they open.
The 85L II lens was primarily conceived as a portrait lens. Not the fastest autofocus arrow in Canon’s quiver, it is best deployed in controlled, deliberate situations. With its widest aperture of f/1.2, it is a delicate tool requiring of care & skill.
The 135L lens revels in tight head shots and its fast autofocus lends it an extra edge. Stopped down, it is a splendid candidate for landscape work in the medium telephoto region.
A couple of portraits of my little niece Saraswati, taken in Panjim, Goa, are offered below.
The first image taken with 85L II underscores its signal feature: ability to cull the essentials from a composition – in this instance, the eyes – with its wafer thin depth of field at f/1.2.
The second is a quick, spontaneous capture with the 135L at an outdoors event. Here I had no choice but to make do with the angle & character of the available light at that moment. Perhaps the soft shadows in this instance enhance the profile. You decide.
Badami in the the state of Karnataka, India, is known for its ancient rock-cut temples. The sandstone ridge, overlooking the town, is set afire every day moments before sundown. In the image below, the Bhootnath temple is also seen on the banks of the lake.